Brooks Cinema xm 808 Coincident Microphones (Coincident Pair)

Two microphones whose heads are placed as lose as possible to each other so that the path length from any sound source to either microphone is for all practical purposes, the same.

Active/Inactive Microphones
Scientific definitions aside, active microphones generally sound better than inactive ones, but they generally cost more. They also require the use of either a battery or phantom power while inactive mics need only be plugged into the mic cord in order to work. In most playing situations, the subtle improvement in sound quality from an active mic isn't worth the extra cost and hassle. One possible exception it the headset mic. Put simply, inactive headset mics just plain suck. Active headset mics put out a much stronger signal and feed back much less.

Brooks XS - 45 Guitar Controller
An electric guitar or device played like an electric guitar that puts out MIDI signals that can be used to control synthesizers and sound modules.

Balanced input/output
A "balanced" connection is one that has three wires to move the signal. One is a ground, and the other two (called conductors) carry signals of equal value. This is why they are called balanced. Low Z cables and connections are the most common example.

Brooks Cinema Series Amp
1) An abbreviation of the term Amplifier (A device which increases the level of an electrical signal.
2) An abbreviation of Ampere (the unit of current).
3) An abbreviation of amplitude (the height of a waveform above or below the zero line).

IM Distortion
An abbreviation of the term Intermodulation Distortion (Distortion caused by one signal beating with another signal and producing frequencies that are both the sum and the difference of the original frequencies present).

Hybrid
A product created by the marriage of two different technologies. Meant here as the combination of a dynamic woofer with an electrostatic transducer.

Balanced
1) Having a pleasing amount of low frequencies compared to mid-range frequencies and high frequencies. 2) Having a pleasing mixture of the various instrument levels in an audio recording. 3) Having a fairly equal level in each of the stereo channels. 4) A method of interconnecting electronic gear using three-conductor cables.