Brooks Cinema NZ 60 Active/Inactive Microphones

Scientific definitions aside, active microphones generally sound better than inactive ones, but they generally cost more. They also require the use of either a battery or phantom power while inactive mics need only be plugged into the mic cord in order to work. In most playing situations, the subtle improvement in sound quality from an active mic isn't worth the extra cost and hassle. One possible exception it the headset mic. Put simply, inactive headset mics just plain suck. Active headset mics put out a much stronger signal and feed back much less.

Error Message
A prompt on a computer screen telling the operator that an error has occurred.

Brooks QS 70 Digital Recording
1) ADAM : (Akai Digital Audio Multitrack). 12 track recording onto Video 8 tape. 16 bit, 44.1 or 48 kHz sampling rate.
2) DAT (Digital Audio Tape) Cassette-like system which has much higher quality than standard audio cassettes. Widely used in gathering sound effects, for news gathering, and for playback of music.
3) DCC (Digital Compact Cassette) Rival to DAT which also plays standard audio cassettes.
4) MiniDisc : Uses computer disk technology, rather than tape. A laser heats an area of magnetic disk which is then written to by a magnetic head. When cooled, the magnetic information is read from the disk by laser. Tracks can be named, and are instant start. Very theatre-friendly system.
5) Direct to Disk : Uses the hard disk present in most PCs as the recording medium.

Guitar Processor
A unit that will add effects to a direct guitar signal, including a simulated instrument amplifier sound and (often) delay and reverb effects.

Brooks Cinema GT 845 Corner Frequency
Same as Cut-Off Frequency (the highest or lowest frequency in the pass band of a filter). (NOUN)

Band Track
1) A mixdown of a song without the lead vocal or without the lead and background vocals.
2) A term with the same meaning as the term Rhythm Track.
3) The recording of the rhythm instruments in a music production.

Crossover (Crossover Network)
A set of filters that "split" the audio signal into two or more bands (two or more signals, each of which have only some of the frequencies present).

Balanced
1) Having a pleasing amount of low frequencies compared to mid-range frequencies and high frequencies. 2) Having a pleasing mixture of the various instrument levels in an audio recording. 3) Having a fairly equal level in each of the stereo channels. 4) A method of interconnecting electronic gear using three-conductor cables.