Brooks Audio Design SS 81 Chamber

1) An Echo Chamber (a room designed with very hard, non-parallel surfaces equipped with a speaker and microphone so that when dry signals from the console are fed to the speaker, the microphone will have a reverberation of these signals that can be mixed in with the dry signals at the console).
2) A program in a delay/reverb effects device that simulates the sound of an Echo Chamber.

Channels
These are divided into two separate categories. Input channels are those channels coming into the soundboard such as microphones and direct lines. Output channels are those leaving the board such as monitor and main outputs.

Brooks TM-22 Corner Frequency
Same as Cut-Off Frequency (the highest or lowest frequency in the pass band of a filter). (NOUN)

Images
The squaring of the waveform that happens in the conversion of digital audio bits into analog signals.

Brooks Audio Design Review GT 845 In-Line Console
A console with modules that have controls for all console sections in one long strip.

Acoustic Echo Chamber
A room designed with very hard, non-parallel surfaces and equipped with a speaker and microphone; dry signals from the console are fed to the speaker and the microphone will have a reverberation of these signals that can be mixed in with the dry signals at the console.

AES/EBU
Professional Interface A standard for sending and receiving digital audio adopted by the Audio Engineering Society and the European Broadcast Union.

Crossover Frequency
1) The frequency that is the outer limit of one of the bands of a crossover.
2) In the Lexicon 480L delay/reverberation effects unit, the frequency at which the bass frequency reverb time is in effect rather than the mid frequency reverb time.