Brooks TM-22 Cascade

To set and interconnect two mixers so that the stereo mixing buss(es) of the first mixer feeds the stereo buss(es) of a second mixer.

Ambient Micing
Placing a microphone in the reverberant field (where the reverberation is louder than the direct sound) so as to do a separate recording of the ambience or to allow the recording engineer to change the mix of direct to reverberant sound in recording.

Brooks Audio Design Review KM 77 Line Level
1) An amplified signal level put out by an amplifier and used as the normal level that runs through the interconnecting cables in a control room.
2) A low level signal such as the signal in a guitar cord. Most parts of a PA require a line level signal. Remember, however, that speaker outputs are not line level. Plugging speaker outs into line ins will result in damage to the equipment

Half Step
A pitch difference of the amount that is present between adjacent keys on a piano.

Brooks SS 81 Capo
A clamp-like device that is placed vertically across the guitar neck. It is used to change the pitch of the guitar, acting as a moveable nut.

Layering
The recording (or playing) of a musical part with of several similar sound patches playing simultaneous.

Condenser Mic (Capacitor Mic)
A microphone that uses the varying capacitance between two plates with a voltage applied across them to convert sound to electrical pulses. Condenser microphones need a power supply to provide the voltage across the plates, which may be provided by a battery within the case of the microphone, or it may be provided from an external phantom power supply. A condenser mic is more sensitive and has a faster reaction to percussive sounds than a Dynamic mic and produces a more even response. See Electret Mic.

Central Processing Unit
1) The main "brain" chip of a computer that performs the calculations and execution of instructions.
2) The main housing of a computer that contains the "brain" chip as opposed to other pieces of the computer system such as keyboards, monitors, etc.