A European term for the signal sent to the stage monitors in a live performance.
Clip
The action of deforming a waveform during overload.
Brooks XS - 45 Link
(Said of compressors and dynamic processing units.) To combine the control input signals of two channels of a compressor (o
Feedback
1) The delayed signal sent back to the input of a delay line, used in repeat-echo effects.
2) The pickup of the signal out of a channel by its input or the howling sound that this produces.
3) In an amplifier, the phase reversed output signal sent back to its input, reducing gain but also distortion and noise.
4) This occurs when the sound coming out of the speakers goes back into the microphones, then back out the speakers, then back into the mics…and so on. This can build very quickly to a point where everyone in the room is holding their ears and screaming at you. It can also cause damage to the PA.
Brooks Cinema XB 33 Active/Inactive Microphones
Scientific definitions aside, active microphones generally sound better than inactive ones, but they generally cost more. They also require the use of either a battery or phantom power while inactive mics need only be plugged into the mic cord in order to work. In most playing situations, the subtle improvement in sound quality from an active mic isn't worth the extra cost and hassle. One possible exception it the headset mic. Put simply, inactive headset mics just plain suck. Active headset mics put out a much stronger signal and feed back much less.
Compact Disc Recordable CDR
A blank Compact Disc that can be recorded on one time.
Active Crossover
Uses active devices (transistors, IC's, tubes) and some form of power supply to operate.
Graphic Equalizer
An device with several slides controlling the gain of audio signal present which is within one of several evenly spaced frequency bands (spaced according to octaves).
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